

- #TOON BOOM ANIMATE PRO 2 STABILIZER SOFTWARE#
- #TOON BOOM ANIMATE PRO 2 STABILIZER CODE#
- #TOON BOOM ANIMATE PRO 2 STABILIZER MAC#
Well, not really a bonus I guess, but necessary to want to work in the program all day/every day.Ī good reference point would be Pencil2D. But easier to read icons, more functionality in that zoom/rotate menu, and more intuitive layer management would all be a bonus. There are a lot of things I like, like that zoom wheel/rotation functionality, and the customization options for menus and tool bars. More importantly, I’m hoping for a strong focus on UI/UX design, because PAP4.0 is not very intuitive. Partially hoping for a launch discount since the crowd funding won’t be happening 😛 Tags: animation paper, announcements, crowd funding, developers, henrik, henrik brinch, indiegogo, kickstarter, programmer, programmers, progress Yay! I’ll keep you updated with our progress and upcoming test releases.
#TOON BOOM ANIMATE PRO 2 STABILIZER CODE#
So much to do, so many UX details to settle on, so much super optimized code to write. There is now no need for a Kickstarter or Indiegogo campaign, so we save the 4 months that a crowdfunding would take to set up – and have gone straight to work.
#TOON BOOM ANIMATE PRO 2 STABILIZER MAC#
We are developing for both PC, Mac and Linux in one go. Our programmer is veteran developer, fellow dane and long time friend, Henrik Brinch.

#TOON BOOM ANIMATE PRO 2 STABILIZER SOFTWARE#
You have to get a feel for the different settings to find the one that suits the way you draw.This year has had its ups and downs, but as 2016 is running out, I am proud, happy and super excited to let all of you know, that… We now have financing! We have our super capable programmer! And we have hit the ground running – making Animation Paper the best software for hand drawn animation! You need to experiment to find the perfect balance. When you have either the brush or pencil selected look at the Tool Properties window and there will be a slider labeled Smoothing. I am speaking of the smoothing adjuster that is part of the brush and pencil tools. May I ask what exactly you do with this smoothing tool? Thank you for your input! I’ve researched this smoothing tool, but it seems a bit counter intuitive to draw, only to go over the line again afterwards. It just feels like there are hundreds of refinements involved…just the right amount of drag, responsiveness, and so on. I do not know what is responsible for it under the hood. I grew up with traditional mediums and do not think plastic on plastic or glass can ever match pens and pencils on paper.Īlso worth noting: Strokes in Photoshop and Illustrator are much easier to control than Harmony. That last 2% I accept as something I can live with using a computer. In combination with the smoothing feature I feel like I am about 98% there.

I would end up with flourishes when I did not intend it. I have always had a problem with Wacom tablets. Worth mentioning: Some of this has been reduced by changing the physical tool as well. By dialing in just enough smoothing it has helped me enough that it is no longer a problem. I have had trouble controlling my linework at times. I have not used a feature like you described as a stabilizer but the closest thing that offers a form of stability to your stroke is the smoothing feature.
